“Grandma“ Prisbrey’s Bottle Village printed matter being experimental and anti-aesthetic by

being experimental and anti-aesthetic by testing its performance

technology and art co-exist in harmony with nature

256 pages Full Color Offset

reducing the existence of animals to marginalised objects

“Grandma“ Prisbrey’s Bottle Village printed matter being experimental and anti-aesthetic byAfter decades of living like a nomad, US American artist Tressa Prisbrey settled in Southern California, where, without any formal training, she built an extraordinary village that is one of a kind: Grandma Prisbreys Bottle Village. With the initial intention of providing a home for her collection of around 17,000 pencils, between 1956 and 1972 Prisbrey developed spectacular architecture out of recycled glass bottles, creating colourful buildings,